In the world of contemporary art, Michael Andrew Law has established himself as a pioneer of inventive and stylized interpretations of classic works. One of his most compelling pieces is the 2017 mixed media painting “Lucian Freud Fat Sue / Benefits Supervisor Sleeping“. This 200×200 cm work on linen canvas takes a direct reference from Lucian Freud‘s renowned painting and reimagines it in Law’s distinctive language, creating a dialogue between the traditional and the contemporary.

A Reverent Yet Radical Reimagining

Drawing from Lucian Freud’s “Benefits Supervisor Sleeping”, colloquially known as “Fat Sue”, Law maintains the integrity of the original while injecting his unique aesthetics. He weaves a colorful tapestry of graffiti-style text across the canvas, invoking the styles of Cy Twombly and Anselm Kiefer. These textual notes divulge the history of Freud’s iconic painting, adding layers of context and depth.

This technique not only pays homage to the storied legacy of Freud’s original work but also introduces a postmodern element. It’s a convergence of the historical and the contemporary, the narrative and the visual, the realistic and the abstract.

The Glitter Factor

One of the defining features of “Lucian Freud Fat Sue / Benefits Supervisor Sleeping” is Law’s innovative use of glitter. This unconventional medium adds a palpable dynamism and vibrancy to the painting, creating a stark contrast with the stark realism of Freud’s original.

The glitter captures and reflects light, lending the painting a dynamic, ever-changing quality. This, coupled with the more traditional mediums of oil and acrylic, results in an exciting visual interplay. It’s a bold expression of Law’s commitment to pushing boundaries and exploring new modalities in art.

The use of glitter effectively modernizes the painting, marrying the familiar with the novel. It gives the work a contemporary spin, creating an entirely new art form that bridges the gap between classical mastery and modern innovation.

“If Julian Schnabel Goes Pop” Series

“Lucian Freud Fat Sue / Benefits Supervisor Sleeping” is part of Law’s intriguing series “If Julian Schnabel Goes Pop”. This series is a study in contrasts, combining the stylistic elements of masters like Schnabel with the vivid aesthetics of Pop Art.

The series underscores Law’s innovative spirit. By blending Schnabel’s signature large-scale works and non-traditional materials with the bright colors, clear lines, and pop culture references of Pop Art, Law creates a unique fusion of styles that is both fresh and familiar.

Michael Andrew Law’s “Lucian Freud Fat Sue / Benefits Supervisor Sleeping” is more than just a tribute to Lucian Freud’s original—it’s a testament to Law’s vision and skill as a contemporary artist. It’s a daring exploration of how traditional art can be reinterpreted and revitalized through modern techniques and mediums. The use of glitter is a prime example, adding a modern twist to a classic masterpiece. This piece, part of the “If Julian Schnabel Goes Pop” series, truly exemplifies Law’s ability to innovate and push the boundaries of art.